from the blackened mean streets of bxl, home of the european hydra, comes acid mercenaries with stark uncompromising stripped down industrial hypnoacid. originally released in the ridiculous edition of 50 copies on white vinyl and available only in the elusive mantra box, here is a full release as two separate albums, which for bunker subsidiary panzerkreuz means 200 copies each. handstamped.

though >the duke< is a tribute album, it is also very much a joe jackson album, consistent with his long-standing sense of musical adventure.
>i revere duke ellington, but i didnt want this to be a reverent album,< joe jackson says of >the duke<, his new tribute to american jazz giant ellington.

local talk is proud to present the first release on their sub-label 1nce again. this is where we bring back classic and forgotten house gems from back in the day with new mixes and reworks. with the second release on local talks reissue sub label, 1nce again we bring back one of our personal underground favourites from the golden age of house music (the early 90s). back in 1994 mateo & matos released an ep on black label records entitled raw elements, which included an amazing cut called >maw basics<. its one of those raw 90s house jams that got the house bump but without the pump, its rough and funky but still deep if you know what we mean? no cheese in sight! together with the original track (now fully re-mastered) we also asked gerd (4lux, ny stomp) to make a remix that would stay true to the original but still bring it to the next level. the result is absolutely amazing and we are pretty confident that this baby will deliver knock out punches every time it blasts through a massive sound system in a proper club.

a delicious six-tracker from our man from a.n.t.w.e.r.p. featuring remixes from fulgeance, cubic animal and joash and even a smashing house tune by the man himself. tall glass of water kbonus takes it slow this time with >dance baby dance<, a ridiculously groovy slow jam featuring vocals by jtothec, destined to get things shaking around the barbie at garden parties around the globe this summer. fellow antwerp producer cubic animal keeps the tempo but adds some funky abstraction, while french beatmaker fulgeance cuts some minutes, toughens up the beat and throws in some arcade game sounds. british compost darling joash then jazzes up the tune with some fine drumming and double bass. bonus track >strength< is a mean house stomper for the wee small hours of the morning. now thats what we call a six-pack.

mercury are on fire. already they are called the new swiss house mafia, with their brothers from round table knights (on made to play) they are working on a new, funky, heavy energetic kind of house music. here is mercurys third single on gomma. three deep jams. deeper then the last single. paris house 1998, and gospel percussion from the 20th century, if you know what we mean

jay west from argentina has been releasing quality deep house (the real sort that is) for the past decade, last years smile ep on bebr got some serious playlist and chart action from everybody who knows their shit, and were please to welcome him to the moodmusic family. the ep starts with blame the music, the sort of feel-good house music we used to get loads of in the early to mid 90s from the big apple. swinging beats, almost disco bass and a sunshine filled vocal are the ingredients for a tune, and jay has delivered one. this will probably not be belted by the kids house community, but real heads knows what to do with this weapon. down continues the journey with victor simonelli style keys and a bouncy bassline, making place for the low-slung in & out tune which have some serious west coast mushroom influences. we love it! to end the ep the catchy little mean machine finally brings the smile to your face.

maelstrom could be mistaken for the newest kid on the scene, coming out of nowhere and dropping releases on prestigious labels like dirtybird and bnr trax in less than one year, but in reality he is far from being a kid, as a matter of fact he is more of a daddy. and i mean this more in a having a child way than in a >i m house musics daddy and i m gonna make her my bitch< way, except the latter is exactly what he is about to do with his new ussr ep on sound pellegrino.

philadelphia producer king britt has dusted off his analogue machinery for 3-tracks of sci-fi indebted synth work. hyperdub present a brilliant and subtle curveball courtesy of phillys finest, king britt, in his new guise as fhloston paradigm. built from drum machines, analogue keyboards and 303s, and edited in the computer, these three lean and mean tracks have an unadorned feeling that build on hyperdubs love for old john carpenter style electronics, combined with dr patrick gleasons ear for the abstract, and bouncy drum machine syncopation that sounds like they are aiming for an alternative present where analogue synths are still king.

whilst some people claim that the number seven is lucky, some people, like duff, dont believe in luck, or if there is such a thing as luck you make your own. you cant rely on anyone else to hold your hand you know, you gotsta forge your own path, they arent called the mean streets for nothing. duff is the sort of man who not only makes his own luck (cos who else is gonna look after you?) but he keeps an eye on his bredren too. those in the neighbourhood feel safe because all is good in duffs hood, always has been, always will be, the police dont even come there, because they don’t have to, that block is on lock-down brother. though he isnt some type of machismo, over-the-top (hat back go-on sly) caricature, its just the way it is, nuthin to argue about. he has a way about him, the glare of a pitbull and the smile of don juan, dusty is his girl yep thats her real name, the name her mamma gave her on the day she was introduced to this world. the girl is fine thats for sure but what else would you expect from the honey that rides shotgun with the sonic casanova. she might call herself lucky. duff would disagree.

his music is like a waterfall on house – organic, constantly running,sparkling and fresh.it could be the background tune for magazine beauties in st. tropez,it feels like a drive through californian valleys,or it may as well be the soundtrack tune for a full moon party on the greek islands - yes, it might indeed just be the result of many a club year. just as well, however, we can look at it as some sort of a flip side to those busy and dark times of dull and hard work back in the days, something to simply relax andm make you smile, after a hard days work, with a cigarette in one hand and a smooth drink in the other… imagine a piece of roxy music, a dancefloor in northern italy - some time in the late 80s - and joe smooths promised land.see what i mean?you picture this?well,in that case you have a pretty good idea of robertos serenades style.the original version of tell me feat.kholi is taken from the upcoming album dawn.

in the last couple of months the names taiki & nulight should have come across your paths. these 2 artists have been gaining respect from the likes of skream, benga, n-type, mistajam (and many more) and are set to blow up any time now. and because subway likes their beats fresh and new they are kicking off with these boys their very first release entitled the coming up ep. coming up is a 100 procent to the floor slammer wich sees the dubstep sound merging into more clubby territories. the 4x4 beat and soca influences make this track a unique piece of work that not alot of people can resist. get on this and get those ladies shaking their rear ends because once they start a skanking the men will follow. pure takes it back to the dubstep vibe we all know and love. a hefty skanker that will deplete any raver from any energy it has left. tearout basslines and insane switches make this one track that will destroy any dance! impulse is one of t&ns early productions but is not a letter track for that matter.its a mean destructive stomper that shows why these guys have been picked so early on by the subway label. it pounds,it shakes, it rattles & it wobbles. a deadly combination!watch out for more t&n releases coming up really soon on subway and labels like benga beats, sin city to name a few! play support comes from: skream, benga, n-type, walsh, mistajam, antiserum, unitz, dream, laxx, megalodon & tonnes of others!

mono recordings is proud to present the 1st 4 tracker vinyl ep of bunte bummler. after their outstanding >you re mine< ep which appeared on 8bit last summer the dynamic duo strikes again.
supported by: nick curly, robert dietz, reyou, ray okpara, gorge, felix neumann, sasch bbc, sebastian lutz, helmut dubnitzky, steffen baumann, steffen deux ...

remaining humbly at the forefront of electronic music, leading imprint cadenzas latest release hole in the middle takes the sound ideas of three thriving producers for an ep of fresh and complex beat scapes. for cadenza73, swiss dani casarano who joined the label in 2010 alongside chilean felipe valenzuela with the tulipe ep, meet upcoming artist demian muller to blend their individual sound signatures into three strikingly contrasting tracks. title track hole in the middle packs an immediately throbbing punch with its mean and stomping bass line.

it is one of our traditions to release remixes of our favourite artists and so we are happy to feature top remix artists for this minilogue remix release on traum.
the >drop the mask of self protection< remix of dominik eulberg is a bit of an adventure! unlike his >diorama< album and maybe because of its elaborate musical challenge, he has taken a time-out to create a serious club format in the true eulberg style witnessed on trapez in the past. so what does that really mean for this track? well this remix kicks off a bit of an relaxed percussive and deep house groove and undergoes in its course quite an explosive transformation! with a lot of skill and finesse mr eulberg pulls the strings with accuracy and makes the transfer of what unfolds to be a heavy big pounding techno rocker! thumbs up this is superb and eulberg at his best.

so after the elusive triumph of our first release finally came firmly into our grasp, we at sequencias here in new york thought it was time to take things in a parallel direction without retracing our steps. drafting three top names in underground deep house for a label debut is no mean feat, but how do you follow up on a surprise coup like that? we thought it was time to go even deeper, and we couldnt think of a better way of doing that than getting an experienced player to unveil a new alias for our second offering. things being as they are, weare trying to keep it a bit low here, but what we can let you know is that his discography stretches back to 2005 and that he has appeared on the illustrious bunker records. this should give you a good idea of what to expect: deeper-than-deep, dirty, and gritty house that jacks with the best the movement has to offer. we have to say that orpheus firmly delivers here, and we hope you will be as pleased as we are with the three dark and introspective offerings he unveils for his new project here at sequencias.

welcoming two fresh comrades into the ever growing cadenza army, the imprint announce viudez & rudolf with the running for hawks ep. argentinean rudolf has been steep in electronic music for over a decade.playing around the globe, his infectious dj sets have been danced to and his gritty house tech releases heard on archipel, nervmusic, serialism and mean. a charmingly demure artist, alejandro lopez ross has earned his reputation on artistic merit though his monikers of rudolf, perro magnetico and jane sullivan.

boys noize – the remixes 2004-2011’ shows ridha’s electro stylings applied to the best and brightest in the industry. spanning over 6 years of work, this album showcases boys noize’s ability to rework source material into his own unique and inspiring compositions. from the stunning beauty of his remix of feist’s ‘my moon my man’ to the emotive synth work on daft punk’s recent ‘end of line’, alex’s touch never fails to impress. when we say ‘the best and the brightest’, we truly mean it, from critically acclaimed legends like david lynch to the cooler than cool n*e*r*d, this release truly has ‘a lot’ for everyone. be curious on the remixes boys noize did for depeche mode, snoop dogg and justice.

limited kanzleramt classic !!

2x12 inch lp ! elegant verschnörkelter minimal-house meets oldskool-electro und diverse spielarten britischer bass-musik, inklusive exklusivem neuem gold panda-track!

another member makes it to the family: deejay ozka
david nizet has been around in the belgian underground techno scene for ages, we mean early nineties. he was part of the 6th sense collective during the mid 90s with releases on dave angels rotation and the legendary belgian label re-load records. despite a detroitish nostalgic touch in his productions, small modern minimalist influences gently creep in to all his tracks to turn them into brilliant pieces of never outdated, or should we say evergreen, techno.
with past releases on aesthetik, mowar, labrynth and played by marcel fengler, markus suckut, matt o brien, jamie behan, .. (the list is too long actually), he is definitely up there with the big ones.

15 years have passed since alex cortex began to create his own vision of electronic music - timeless and beyond trends, without a buzz or hype, steadily winning the following of djs and home-listeners, collectors and critics worldwide. his style can be described as unpredictable to a certain point, while maintaining high aesthetic standards. playful with quotes and references, always low-key and focused on psychedelic immersion into sound that shifts the attention from the artist to the music. kihon is a very personal effort, as suggested by the self-portrait on the cover that puts ear, eye, and mouth -reception and production- into context. the carefully elaborated design of this gatefold double lp speaks as a whole and in true minimalist fashion about the passing of time, without ever declaring nostalgia to be a means for itself. this also reflects in the music. alex cortex evades large gestures and obvious quotes, but is certainly conscious of locating his album within a framework of references to other works of electronic music that are important for his own musical evolution. in 11 nameless tracks, kihon takes us on a journey through organic worlds of sound that invites us to flow with the music and connect with the feelings contained in it. the title kihon that relates to japanese martial arts translates to basics or fundamentals, the training of which does not even cease when reaching master grades. those basics that are passed on beyond time are also the foundation of this album. by concentrating on the bare essentials, the music begins to speak, turning the album into a harmonic whole. kihon therefore is also a return to listening, away from a utilitarian perception of music as a background sound. this does not mean it would not work perfectly well in a club context -in the right hands it indeed does- but more notably, kihon is a work of art worth your attention and destined to stand the test of time

als ersten vorgeschmack auf das 2012 erscheinende john cale album veröffentlicht domino am 16. september eine 5-track ep auf 12 inch. neben kooperationen mit ua. the stooges, brian eno, patti smith ist er vor allem als gründungsmitglied von the velvet underground bekannt geworden. die neue ep überzeugt mit seinen leicht verschrobenen, federnden, beats über knalligen gittarrenlines, unterlegt von seiner charmanten stimme und seinen intelligenten texten und steigert definitiv die spannung auf cales neues album auf domino!
inklusive code für freien digitalen download der ep.

after a short production break, the russian techno duo easy changes (denis cast & kilrill silas) are back with a 12 inch on the berlin/london based label, mean records, run by cesare marchese (cesare vs disorder) & federico benedetti (onirik). the lion is also a good drummer fits in nicely with the labels love of minimal techno productions that feature original sounds, moody melodies and deep aural landscapes. easy changes gained recognition in 2007 with two back to back hit releases on foundsound records. in 2009, they were the first ep from nervmusic, a moscow based label that focuses on unconventional techno started by cast, silas and friends. seated comfortably between the avant-garde and the dancefloor, the release has something for everyone. the title track, the lion is also a good drummer is an epic, crawling minimal techno production filled with stripped down percussion and abstract found sounds perfect for after-hours. on the flipside is the uptempo, quirky and tribal burlesque, replete with spliced vocal samples, snares, cymbals, bleeps and claps. for the burlesque remix, french producer doubtingthomas shows off his lifelong obsession with percussion and its rhythmic allure with the addition of a trippy drum solo midway through the track.

let the show begin, this is the first episode for marc poppckes new baby crossfrontier audio. time to clean your musical mind, here we go… from house to trance, next to techno and back to house again. for sure this is no space for hand-me-down standards.
a1 – marc poppcke & max von valentiner – never go backimagine berlin, imagine sunrise, imagine the party you left some minutes ago… haha, i know what’s on your mind. and no, i don’t mean those cute summer open air venues your tourist guide talks about. it’s november and the berlin summer has gone. it’s cold, it’s foggy, the shafts of sunlight have to find their way… and yes, it’s fucking beautiful and so is the track.
a2 – lake people – tellap tacleipzig is calling. well known for his debut on kollektiv turmstrasses musik gewinnt freunde lake people impresses with his minimalistic trademark sound that dares to be melodic as well. great stuff for prime times and big rooms but keep away from pyro shows.
b1 – salvatore freda - invictionafter numerous great and ingenious releases on cadenza, liebe*detail, freerange and others, salvatore continues with another effective lesson in hypnosis and self-awareness. dont ask, dont tell, just see for yourself!
b2 – frieder blume – we play for love - frieder sounds like those worldly-wise professionals that definitely know there business. but in fact its his first track on vinyl and we all can imagine what this guy will sound like in a few years. we play for love builds and builds and builds and culminates in a climax… bam! rewind please…

the finest moustache bearer since selleck rocked the tv as magnum pi returns. thats correct, sccucci manucci drop a long awaited second release on the fledgling imprint, enlisting a premier cast of continental friends to lay down some class a discoteria! securing the talents of runaways jacques renault is no mean feat for the self styled purveyors of fine music, and the on the prowl boss serves up a beefy disco funk edit in the vein of his killer public release twelve from last year. in support, a cast of rising uk talent serve note of their budding prowess, with tenth circles zoo look indulging in some monstrously expansive beatdown a la the revenge on the aptly titled >early doors<. casino times provide the why didnt i think of that moment with >thats the truth<, a bashmore style take on the de la soul & chaka khan collab which has been burning up sound systems from london to petrcane this summer. young one picture house ends proceedings with aplomb on >blaxploitation< a gritty shaker reminiscent of eddie c in his pomp.

raoul records is very happy to welcome liviu groza for the fourth release of the label. after his china charm ep on cityfox just before this summer, he is back with 3 tracks that fit perfectly with the sound of the label. it certainly has something to do with house and techno, but livius personal touch is quickly modifying our expectations, for the pleasure of our ears. there is an authentic energy in livius work and the a-side track >no love< is a perfect example of that. what starts with a typical filtered techno loop is suddenly brought to another level with a huge melodic bass line and then with two chords that enlight the track with a certain melancholy. the b-side starts with another killer bass line. >the manimals< bass line is a snake that enrolls its body around every other element: a great house groove and an hypnotic piano. liviu is a snake charmer! the 3rd track >mean fine< seems to be the perfect b2 track. what sounds rather quiet and reduced when you first listen to it, turns itself into an efficient old school dj tool with such groovy hats and hypontic vocals once played on a proper sound system!

pizza is the 6th release on dont be afraid, coming hot on the heels of mr. beatnicks synthetes ep and semteks west acyd shelter. the first track on the 12 inch, pizza, combines disco, techno and acid house elements on a broken funky base. goons is a mean little track with caper-like 303s and a bumping trumpet bassline, backed by sweet drum machine beats. dj 3000 takes the fundamentals of the original and replaces them with some of his own locally sourced detroit ingredients, including a euphoric rhodes and some rich pads, to create a peak time banger for fans of dirty bird and the like.

schon als jugendlicher interessierte er sich für r&b-musik und gründete eine high-school-band (the spades) mit jerry byrne (lights out) als sänger. rebennack wurde einer der ersten weißen musiker, der regelmäßig bei r&b-sessions in new orleans spielte und als fester studiomusiker bei den legendären ace records arbeitete.

we got different morals, we got a different moral ground - heavy dj support… from weatherall, jamie jones + crew & has ripped apart dc10 several times by clive henry.

seoul community is a german based vinyl only label founded by ben anders and john lagora. the passion is to release house & techno music with heart and soul. sascha lebemann is nowadays an inherent part of frankfurts club scene. with the label waldliebe musik he placed collective productions in cases of well known artists and on ibiza global radio or ibiza sonica. finally out now sascha lebemanns track >nachts im club< on seoul community. the self written and performed text appeals the crowd and tells of playful night in the club and the atmosphere of the collective celebration. saschas sound dont know any limits - this would mean restriction for him. in his dj-set, which he performs since 6 years with vinyl and meanwhile also with cd he presents nearly every way of electronic music - thats what makes him - and fanciers or friends of past events knows that his sound reaches from an upbuilding warm up till the achievement of the total

released as a 2 x 12 inch with the full length 11 track cd album shrink-wrapped. the vinyl features 4 brand new remixess from the album.this album represents the peak so far of the lads technical skills, its carefully produced from start to finish. tracks are frequently tied together, and a lot of thought has gone into the flow of the album. this is one that can be listened too from beginning to end, as opposed to a collection of singles. however that doesnt mean that state of mind have forgotten about the 3am raver. almost all of the tracks have all been smashing it up world wide over the last 6 months in their own right. collaboration wise, the album features several of nzs most talented vocalists including shapeshifters p.digsss, thomas oliver, sacha vee, mc woody & pnc, as well as american singer 3pm. the only production collaborators are nymfo and dnme. several other collaborations were planned for the lp, but in the end were unable to fit. these will be released as bonus tracks.

the first world unknown 12 inch kicks off with a slamming piece of prototype house from glasgows naum gabo aka jonnie wilkes from optimo and his production partner james savage. showing that a relatively low pace doesnt mean any drop in energy levels and dancefloor pump power, whop! cracks along like something from an alternate reality version of 1980’s chicago. its as easy to imagine it rocking the house at medusas or the box as it is to envision it in the present day soundtracking some kind of bizarro fetish party or a particularly intense session at berghain’s lab-oratory. this is jacking in the true sense of the word. on the flip side italian born berlin resident franz underwear ups the tempo with a stunning piece of slamming european musclebeat. shades of ibiza 88-89 pervade here, the kind of pumping, chunky synth action, teutonic vocal exhortations and vaguely menacing but ultimately benign vibe that sent thousands of potty european kids totally round the bend and changed the world of dance music forever.

if you were to cut neville watson he would bleed acid house, he would also quite likely knock you flat on your arse for having the temerity to wave a knife at him, but thats a whole other story. for his first wu contribution he ventures down the ethereal proto-house boulevard. jacking 707 patterns, a bouncing juno bassline and outer-space synth lines take you into the upper atmosphere for a glorious airborne joyride. as ever, neville manages to evoke those 85-89 feelings without ever sounding merely retro or like some kind of pastiche, something that many attempt but very few manage to pull off. over on side u apiento, the force behind the magisterially brilliant testpressing website, chips in with a heartfelt homage to the new beat sound. another testimony to the fact that a lower tempo doesnt have to mean diminished energy levels, the orange place simply oozes class from top to bottom. like some lost ancienne belgique classic it pounds and pumps along, building up the tension all the while until the quasi- eastern refrain lets loose half way thru and all of a sudden a mystic portal opens up in the space-time continuum that leads all the way to southwark street in late 87.

limited edition double 12 inch lp, includes the cd album.

finally scum recordings unleashes its next talents.. crushtington hailing from new zealand is no unknown face in the dnb scene.. can you guess who it is? and like the dnb they make this dubstep isnt for the faint hearted. as your used to from the scum camp were bringing you next level heavyweight riddims and this release is no exception. the single starts off with big hit.. a electrified stepper with a hefty 4x4 drop.. crushtington shows what their worth right here and now with this one. smash this one on the decks and see the dancefloor crumble at your feet. no happy jum up styles here just straight up grimness! next up its king koopa. unlike the giant lizard who super mario needs to defeat to save his precious princess this is one ferocious, mean, fire breathing track that wont let go so easy. this one packs a punch that will knock any mushroom or fire flower straight out of your big body in seconds. so better make sure you got some 1ups to make it through this one!

la based producer matthewdavid (leaving records) with his debut album on the brainfeeder label by flying lotus. limited edition vinyl with free download code.

the newly crowned dutch emporium of all things disco tinged swiftly presents a second round of vinyl-only gems - commencing with the classic philly disco boogie strains of >just cant get enough< which contains just the right amount of deviations into sonic filtration. complementing this is the instrumental boogie heat of >lets go swingin< which fully demonstrates the majestys pleasure talent for slicing and dicing the groove. turn over for the insistent chugging sounds of >tainted binary< which unfolds brilliantly into a string heavy disco epic. the best is perhaps saved for last as >didnt mean to dub u off< reveals itself as a crystalline filled excursion into 80s proto house excellence.

early support by jacques renault, jon sa trinxa, disco bloodbath, dj hendrix, bottin, more to follow... hell yeah recordingss sister disco label danny was a drag king is on a roll! italian dj/producer luminodiscos music stands out from the current stagnant re-edit game, his brilliant production skills are obviously influenced by the best of the past but aimed to original purposes. new single balerama is no exception, its a midtempo balearic journey, dreamy but chunky and funky enough to get your dancefloor locked into it. coffee mugs is an exclusive smokin bonus track on the vinyl edition. luminodisco is definetely here to stay, stay tuned for more. remixes: italian indietronica band tempelhof into a kind of basic channel mood provide a pure class tripped out electronic-house remix. austrian born, london living and universal dreamer giulio dj (is it balearic, elevator people) gets fully balearic adding some pure bliss vocals (courtesy of izzy)... one for sa trinxa beach...if you know what we mean

**hand-stamped white label, limited edition of 400** four effluvial techno and industrial bass weight remakes of tracks from cloaks debut lp by ancient methods, justin broadrick, oyaarss, and legion of two. >versus grain< was one of the darkest transmissions we caught in 2009, whose rotten and rusted fruits provide brilliantly raw material for the remixes. its worth the cost of entry alone for ancient methods nine-minute viking ruffige remix of >r.f.i.d, the kind of northern european tribal funk workout that makes folk dance like they mean it. on a more crushed and crushing tip, legion of two dole out scorn-strength percussion and muscle tearing bass torsion on a remake of >against<, while oyaarss dismantle >sixmenace two< and rebuild it as frankensteinian dancefloor monster. to polish off the foolhardy few still standing, justin broadrick (jesu, godflesh) detonates >rust on metal< with bombastic halfstep force, giving a bitter taste of what to expect from his 3by3 album, due out next year. heavyweight.

limited to 500 copies on black 180-gram vinyl. includes album download code.

if you are reading this then you most likely are familiar with the latest addition to the thema stable. it means that you have likely experienced the prescient, monolithic funk of his groundbreaking minimalism series. it may mean that you have witnessed one of his rare, raw and raucous sets of densely layered classic/future techno. we are damn sure it means you have heard, absorbed and been educated by his blistering intoxicating work on germanys tresor label and the legendary metroplex releases as population one or his influential utensil releases. the man in question is, of course, detroits own understated, underrated second wave techno soldier. the master of repetition: terrence dixon!

the fifth neurhythmics release is a compilation of befriended artists, and this is reflected by the different interpretations of the individuals to what the labels sound is about. juergen provides the a-side with >common sense< a vocal-snippet driven house-track, that once again underpins his sound-aesthetics of having it sound live and mixed on the fly, straight out of the machine. the flip-side could not start off any better. quite possibly a future classic, >signature< by mike binary, has soul and emotion literally squeezed in between each of the effortlessly programmed beats, and has become one the favourite tracks at the neurhythmics hq to ever been put on the label. last but not least, >no other< by the dirty soul project (you will know these guys, but we were sworn to secrecy) firmly pulls the hand brake and slows things down to just over 110 bpm. this doesnt mean that this very hypnotic number isnt going to work in the early morning slots…au contraire, actually...

-l- is a more than great dancefloor bomb with it s tech-house flavoured fat beats and big mean bassline and bleeps ! this one also gets a remix treatment by none other than mr. harry axt (aka daniel steinberg, ?) who was shaking and rattling the japanese

this is the third single taken from boohgaloo zoos devastatingly good self-titled debut album. >i got< is a relentless disco groover while >come to this< is a slow-mo exotica house bomb (whatever that may mean) with some hints of exotica. two fat and funky joints. this time, the remixes are courtesy of mugwump and aardvark. mugwump takes the original and turns it into an electrifying discoid tour de force. aardvark does his thing, which lately means taking a song, and giving it an electronic shock treatment. those who like forward thinking electronic music will go bananas for this one. post >nameyourfavourite<?

first on decks.de !! u cant deny that holgi star und pierre deutschmann are some true techno oldschool rockers of the electronic scene. both of them with a lot of producing experience on their back have now decided to a have a couple get togehters on releases! and it truly works! they also live by one saying: >just because u hit a certain age it doesnt mean u are not on top of the game!< no wonder why. week for week they are playing around the globe and bring their fresh, modern, melodic drivefull technosound to the partycrowd. and with stylerockets they have chosen the right place to be! incl. remixes by dominik vaillant and joseph disco.

once again the disorder kaiser with a mindblowing, overwhelming and extraterristical ep on stock5. the italian boy in exile, nowadays in berlin, doesnt stop to drop beats for the special moments and it seems that he gets better day by day!

the owl wing 57 has entered hyperspace, captain.
what about the anomaly?
further approaching, captain.
we are all lost!
not necessarily, captain.
what do you mean?
no one really knows whats hiding in there.
we wont make it anyway. we could right as well land on any planet and watch it swallowing us.
would this one be ok for you?
why not. betaowl, get ready for landing. right over there, at the bridge of that river. probably a good place for it to snatch us.
crew, get ready for the impact!